浮世绘，是17-19世纪流行于日本的风俗画，前身为肉笔绘，到了日本封建社会晚期的江户时代，由于经济增长，城市里出现了市民文化。市民阶层对艺术品的需求量增大，肉笔绘逐渐向木版浮世绘过渡。可以说，浮世绘是江户时代人民生活的百科全书。
到了19世纪50年代，浮世绘被传到欧洲，在欧洲掀起了“日本风”（Japonism），印象派、后印象派以及新艺术运动都受到了浮世绘的影响。
本次展览选址深圳华润艺术中心美术馆，为浮世绘系列国内巡展规模最大的一次，主办方非常重视，不少作品为真迹，价值连城，所以对空间设计要求非常高，其中展览策划、空间设计由“善思”+"本舍空间"完成，数字影像、虚实场景、舞台特效由中、日、法三国艺术家共同完成，通过作品展示+沉浸式场景搭建,向艺术爱好者和潮流文艺青年们献上一场充满临场感与质感的“浮世绘”,让观众穿越时光,梦回江户。
Ukiyo-e, a genre painting popular in Japan from the 17th to the 19th century, was originally known as freehand brushwork painting. During the late feudal period of the Edo period in Japan, due to economic growth, civic culture emerged in cities. The demand for art among the urban class has increased, and freehand brushwork painting is gradually transitioning to woodblock ukiyo-e. It can be said that ukiyo-e is an encyclopedia of people's lives during the Edo period.
In the 1850s, ukiyo-e was introduced to Europe, sparking the "Japonism" movement. Impressionism, Post Impressionism, and the Art Nouveau movement were all influenced by ukiyo-e.
The exhibition is held at the China Resources Art Center Art Museum in Shenzhen, which is the largest domestic exhibition of the ukiyo-e series. The organizers attach great importance to it, and many of the works are authentic and valuable, so the requirements for space design are very high. The exhibition planning and space design are completed by "Shansi"+"Benshe Space", and digital images, virtual and real scenes, and stage effects are jointly completed by artists from China, Japan, and France. Through the display of works and immersive scene construction, a "ukiyo-e" full of sense of presence and texture is presented to art enthusiasts and trendy literary youth, allowing the audience to travel back in time and dream of Edo.
❏ 展览回顾
